ISSN 2227-9997
The journal
Scholarly papers of Russian Gnesins Academy of Music
 

CURRENT ISSUE

2018 №4(27)

CONTENTS

Sacred Music

Tatiana Starostina. About the modal organization of glasovy tunes Russian Orthodox Church   p. 4–15

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Contemporary Music

Marina Pereverzeva. Aleatory compositions on the basis of the traditional principles of the organization   p. 16–30

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Diana Kitsenko. The technique of parody in the «Agnus Dei cum Recordatione» of Klaus Huber   p. 31–39

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Vera Vorontsova. «Where we are not» — on genre style of Anton Batagov’s musical letters   p. 40–47

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20th Century Music

Vitaliya Khoroshavina. A Sacred concerto by N. Sidelnikov is in the aspect of interpretation of genre   p. 48–55

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Musical Culture of the Peoples of the World

Anastasia Patoshina. Abstract from the history of phonographic records of folklore in Russia of the late XIX — early XX centuries   p. 56–65

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Musical Semiotics

Irina Stogny. Musical semiologiya: history and practical importance   p. 66–74

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Pages from the History of Opera

Natela Enukidze. Romantic Opera in a distorting mirror parody: from the history of comic Wagnerian   p. 75–85

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Events

Tatiana Naumenko. «Music science in the context of culture»: about the international conference at the Gnesin Russian Academy of music   p. 86–89

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Musical Archives

Valentina Rubtsova. N.S. Zhilyayev as the editor of A.N. Scriabin's compositions   p. 90–91

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Books

Elena Alkon. Review of the monograph by T.V. Tsaregradskaya «Musical gesture in space of modern composition»   p. 92–95

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About the Authors    p. 97
Abstracts and Keywords    p. 102
Requirements to articles    p. 105

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