Tatiana Starostina. About the modal organization of glasovy tunes Russian Orthodox Church p. 4–15
Marina Pereverzeva. Aleatory compositions on the basis of the traditional principles of the organization p. 16–30
Diana Kitsenko. The technique of parody in the «Agnus Dei cum Recordatione» of Klaus Huber p. 31–39
Vera Vorontsova. «Where we are not» — on genre style of Anton Batagov’s musical letters p. 40–47
Vitaliya Khoroshavina. A Sacred concerto by N. Sidelnikov is in the aspect of interpretation of genre p. 48–55
Anastasia Patoshina. Abstract from the history of phonographic records of folklore in Russia of the late XIX — early XX centuries p. 56–65
Irina Stogny. Musical semiologiya: history and practical importance p. 66–74
Natela Enukidze. Romantic Opera in a distorting mirror parody: from the history of comic Wagnerian p. 75–85
Tatiana Naumenko. «Music science in the context of culture»: about the international conference at the Gnesin Russian Academy of music p. 86–89
Valentina Rubtsova. N.S. Zhilyayev as the editor of A.N. Scriabin's compositions p. 90–91
Elena Alkon. Review of the monograph by T.V. Tsaregradskaya «Musical gesture in space of modern composition» p. 92–95
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